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DTSTART;VALUE=DATE:20201211
DTEND;VALUE=DATE:20201215
DTSTAMP:20260405T231019
CREATED:20201130T140151Z
LAST-MODIFIED:20201130T140151Z
UID:8699-1607644800-1607990399@campleline.org.uk
SUMMARY:Screening At Home: Echo (2019\, Dir. Rúnar Rúnarsson)
DESCRIPTION:Still from Echo (2019) © The Party Sales\n\n\nECHO\n2019\, Iceland\nDirected by Rúnar Rúnarsson \n\n\n\n\n\n79 mins\, Cert PG\,\nIcelandic with English subtitles\nClosed Captions available \n\n\n\n\n\n\nClick here to book\nTickets – Pay What You Can – £5 / £3.50 / £2 / Free\nSee our ticket scale here \n\n\n\n\nShot over the advent season of December 2018 to New Year’s day 2019\, Echo comprises 56 single-shot vignettes that together draw a jigsaw-like portrait of modern day Iceland at Christmas time. In open countryside\, a farm is burning. In a school\, a choir is singing carols. In a museum\, a janitor argues on the phone whilst cleaning the windows of a taxidermy exhibit. \n\n\n\n\n\n\n\n\n\nOf his film\, Rúnar Rúnarsson has said: ‘In this sometimes stressful time of year it’s easy to lose track of ourselves and get disconnected from our surroundings. At the same time\, the dusk of the year fuels self-reflection and enables us to put our lives into perspective\, often evoking empathy for others. Each individual in the film will only appear in a single scene and therefore there won’t be a main character. Each scene is an observing\, static one slate shot on a tripod. Time is only broken when there is a cut between scenes. By themselves\, these scenes either tell a short story or capture a mood or an emotion\, but together they form a whole. It will be a kind of mosaic picture that functions as an echo from postmodern society\, a contemporary mirror.’ \nRúnar Rúnarsson is an Icelandic filmmaker born in Reykjavik in 1977. In 2009\, he graduated from the Directors’ section of The National Film School of Denmark. His short film The Last Farm (2004) was an Academy-Award nominee and was followed by 2 Birds\, which competed for the Short Film Palme d’Or at the 2008 Cannes Film Festival. His first feature Volcano premiered at Cannes Directors’ Fortnight in 2011. His sophomore feature Sparrows won the Golden Shell at San Sebastian in 2015. Echo is Rúnar Rúnarsson’s third feature-film. \nAvailable to watch online from Friday 11 December 6:30pm (GMT) – Monday 14 December 6:30pm (GMT) \nLive online discussion on Friday 11 December at 8:00pm
URL:https://campleline.org.uk/event/screening-at-home-echo-2019-dir-runar-runarsson/
CATEGORIES:autumn programme
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20201125
DTEND;VALUE=DATE:20201203
DTSTAMP:20260405T231019
CREATED:20201118T153251Z
LAST-MODIFIED:20201124T114111Z
UID:8589-1606262400-1606953599@campleline.org.uk
SUMMARY:Screening At Home: Jamilia (2018\, Dir. Aminatou Echard)
DESCRIPTION:  \nJamilia\n2018\, Kyrgyzstan / FR\nDirected by Aminatou Echard\n84 mins\, Cert PG\,\nKyrgyz\, Russian\, Uzbek and English\nwith English subtitles\nSDH subtitles available \n\n\n\n\n\n\nTickets – Pay What You Can – £5 / £3.50 / £2 / Free \nClick here to book \n\n25 November – 2 December: available to watch online\nWednesday 25 November\, 6.30pm: communal viewing\nWednesday 25 November\, 8:30pm: live Q&A with the film’s Director\, Aminatou Echard  (this event will be live captioned) \nShot in Kyrgyzstan on richly saturated Super-8mm\, French filmmaker Aminatou Echard takes up the title character of Jamilia – the 1958 novel by Chinghiz Aytmatov – as a pretext through which to speak to Kyrgyz women of all generations about their own lives. \nA modern classic in Kyrgyzstan and set during the Second World War\, the novel Jamilia tells the story of a free-spirited heroine who falls in love with a wounded and solitary young man\, Daniyar\, while her husband is away on the front. \nOver the course of her film\, Echard introduces contemporary Kyrgyz women who she invites to talk about Jamilia as a literary heroine and indeed a cultural figure. They variously project themselves onto her\, and in turn reveal their own private lives and desires\, the social rules of contemporary Kyrgyzstan\, and their ideas of freedom. \nTheir candid answers\, recorded in audio interviews separated from the film’s grainy Super-8mm images\, gives Echard’s Jamilia the confessional intimacy of home movies. Through the capture of these personal reflections\, interpretations and associations the film speaks of the influence and interpretation of the novel across decades of the nation’s history and into the post-Soviet present. \n‘Echard’s film juxtaposes the gorgeously composed visuals of day-to-day life with the powerful voices of the women of Kyrgyzstan. Connecting literature\, reality\, past\, and the present\, Echard’s film is a testament to the importance of women’s stories.’ —The Arts Fuse \nAminatou Echard (b. 1973) is a French filmmaker. She studied Ethnomusicology and Cinema History in Paris and Bologna. As an artist who works with experimental film and documentary\, Aminatou’s focus is how space transforms people and how people inhabit spaces. She conveys this idea by exploring the relationship between sound and image. Fieldwork is a crucial element in her artistic practice. After four years of working in Bolivia in ethnomusicology\, she started a new project in Central Asia (Kyrgyzstan\, Uzbekistan and Kazakhstan) in 2006 by collecting super 8 images and sounds to gain an understanding of the specific relationship between spaces and people. \n\nAvailable to watch online from Wednesday 25 November 6:30pm (GMT) – Wednesday 2 December 6:30pm (GMT) \nLive online discussion on Wednesday 25 November at 8:30pm – this event will be live captioned \nA PDF transcript of the discussion will be available on request
URL:https://campleline.org.uk/event/screening-at-home-jamilia-2018-dir-aminatou-echard/
CATEGORIES:autumn programme
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/London:20201117T193000
DTEND;TZID=Europe/London:20201117T203000
DTSTAMP:20260405T231019
CREATED:20201018T204401Z
LAST-MODIFIED:20201117T153048Z
UID:8058-1605641400-1605645000@campleline.org.uk
SUMMARY:Book Week Scotland - with Stuart A. Paterson
DESCRIPTION:The Body Wha Plantit Trees \nPoet and writer Stuart A. Paterson reads from Jean Giono’s novella The Man Who Planted Trees (1953) \nOnline\, free\nClick here to book \nJoin us for this special event with poet and writer Stuart A. Paterson as part of Book Week Scotland. We are delighted that Stuart will read in Scots from Jean Giono’s beautiful story The Man Who Planted Trees\, and also drawing on some of his own poetry. \nIn 1910\, while hiking through a desolate valley in Provence\, a young man meets a shepherd who he watches sort and then plant hundreds of acorns. On visiting the shepherd ten years later\, he sees a young forest now spreading slowly over the valley\, which then gradually over the years becomes a living\, green landscape. Giono’s is an enduring tale that speaks of the accumulating impact of small actions and the power of individual efforts that attend with care to the world around us. \nIn translating The Man Who Planted Trees into Scots\, Stuart has said ‘Scotland’s very own Robert Louis Stevenson famously wrote “Don’t judge each day by the harvest you reap\, but by the seeds that you plant.” This story is a magical seed itself which continues to be planted across the world and is as relevant to the glens of Scotland in 2020 as it was to the valleys of Provence in 1953. Lug in and find out why!’ \nStuart A. Paterson has been one of Scotland’s best known poets over the past 30 years. He was voted Scots Writer of the Year at the national 2020 Scots Language Awards. A native Scots speaker\, he lives in Galloway and was recently the official BBC Scotland Poet in Residence.  \nPhoto: Alistair Heather\, 2020
URL:https://campleline.org.uk/event/book-week-scotland-stuart-paterson/
CATEGORIES:autumn programme
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20201105
DTEND;VALUE=DATE:20201127
DTSTAMP:20260405T231019
CREATED:20201018T210659Z
LAST-MODIFIED:20201103T182103Z
UID:8056-1604534400-1606435199@campleline.org.uk
SUMMARY:Distant Spaces - online classes with Lilian Ptacek
DESCRIPTION:Four online printmaking classes led by artist Lilian Ptacek \nEvery Thursday evening 5-26 November (inclusive)\n7-8.30pm\n \nOnline\, free\n10 spaces per session \nClick here to book\nFind out more about Lilian’s evening classes here \nThis autumn artist Lilian Ptacek will lead four online evening classes for CAMPLE LINE\, taking place as a short course each Thursday evening 5-26 November (inclusive). \nThe classes will draw on Sara Barker’s exhibition undo the knot\, and consider how Barker approached creating her work at a distance from the gallery. Over the four classes\, you will be able to create prints using materials and objects that are to hand whilst taking inspiration from distant locations that we are currently not so easily able to visit. \nEach class is based around a particular printmaking process. Lilian will introduce and guide you through each technique as you explore how memories and stories are integral to our understanding of spaces. \nLilian Ptacek graduated from The Glasgow School of Art in Fine Art\, Painting and Printmaking in 2015. Since then\, she has developed a practice across printmaking\, collage and installation\, often working collaboratively on projects with artists\, community groups and young people. She has worked as an Art Educator for numerous organisations\, including Edinburgh Printmakers\, and she is currently working for The University of Edinburgh as a tutor for Access to Creative Education in Scotland (ACES).
URL:https://campleline.org.uk/event/distant-spaces-online-classes-with-lilian-ptacek/
CATEGORIES:autumn programme
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20201104
DTEND;VALUE=DATE:20201112
DTSTAMP:20260405T231019
CREATED:20201018T205448Z
LAST-MODIFIED:20201018T205632Z
UID:8090-1604448000-1605139199@campleline.org.uk
SUMMARY:Screenings At Home   Ascent  (2016)
DESCRIPTION:Ascent\n2016\, Japan/NL\nDirected by Fiona Tan\n80mins\, English\, Japanese\, with English subtitles\nClosed captions available \nTickets on a pay-what-you-can scale\nClick here to book\nPlease visit our Screenings at home page \n4 – 11 November: available to watch online (UK only)\nWednesday 4 Nov 6.30pm (BST): communal viewing\nWednesday 4 Nov 8.30pm (BST): live online discussion \nA western female writer and her Japanese correspondent\, Hiroshi\, narrate a metaphorical journey up the iconic and mysterious Mount Fuji in Japan\, crossing geographical\, temporal and cultural divides. Made entirely with stills\, Fiona Tan’s Ascent has been referred to as a photo-film\, balanced between documentary and fiction\, photography and film. \nSuccessive images of Mount Fuji – spanning the history of photography  as well as Japanese and western art and popular culture – inspire the narrators to uncover different paths up the mountain\, and to muse on the significance it holds within Japanese history\, religion and philosophy. \nIn the words of David Campany\, Ascent offers the viewer ‘a rich weave of associations that are personal\, poetic\, historical\, scientific\, anthropological\, military\, geological\, political\, literary and artistic. Ascent is a bowl for images\, a vortex of images\, with Mount Fuji at its centre.’
URL:https://campleline.org.uk/event/screenings-at-home-ascent-2016/
CATEGORIES:autumn programme
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/London:20191206T190000
DTEND;TZID=Europe/London:20191206T210000
DTSTAMP:20260405T231019
CREATED:20191003T213849Z
LAST-MODIFIED:20191003T213849Z
UID:4679-1575658800-1575666000@campleline.org.uk
SUMMARY:Little Miss Sunshine  Screening
DESCRIPTION:  \n(2006) Jonathan Dayton and Valerie Faris\, 1hr 41mins\, cert 15 \nLittle Miss Sunshine offers a humorous and at times bittersweet reflection on the expansive capacity of the family unit\, and on familial bonds and the tensions these can be put under when directed towards a pursuit or purpose. At what point does a family begin to function like a crew\, and what about those who wish only to be passengers? \nRemarkable performances from Abigail Breslin\, Paul Dano\, Steve Carrell and Alan Arkin elevate this story of a family of individuals who ultimately restore common purpose and pride to themselves. \n  \nYou can book directly | info@campleline.org.uk | 01848 331 000 | or via Eventbrite
URL:https://campleline.org.uk/event/little-miss-sunshine-screening/
LOCATION:Cample Line\, Thornhill\, DG3 4XX\, United Kingdom
CATEGORIES:autumn programme
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/London:20191130T153000
DTEND;TZID=Europe/London:20191130T163000
DTSTAMP:20260405T231019
CREATED:20191003T213420Z
LAST-MODIFIED:20191126T135730Z
UID:4676-1575127800-1575131400@campleline.org.uk
SUMMARY:Rhona Warwick Paterson  Reading and Making
DESCRIPTION:  \nFree | Booking advised \nRhona Warwick Paterson will read Elizabeth Bishop’s poem The Moose\, published in 1976\, in dialogue with recordings of Bishop herself reading the poem and discussing her daily routine. The audience will be invited to make small clay forms with her as the reading progresses. \nThe title of CAMPLE LINE’s autumn exhibition From narrow provinces is taken from the poem’s first line. \nWarwick Paterson has said: ‘The clay forms I make are a result of writers block; my frustration in finding the right word is worked out through clay\, sometimes thrown in desperation\, sometimes coaxed out slowly. I listen to PennSound and put on a reading\, hoping the combination between hearing words and working the clay will help. Often it does and I dedicate whatever is made to the poet I’ve listened to. [This] is the first public performance of this very private activity.’ \nRhona Warwick Paterson studied at The Glasgow School of Art where writing emerged as her practice\, particularly in response to sculpture. She has since been commissioned by many established artists to write poems in dialogue with their own creative process and practice. These include: Edmund de Waal\, David Ward\, Clare Woods\, Tessa Lynch and Corin Sworn. She won the Scottish Book Trust award for Poetry in 2018 and is currently working on her first collection. \nYou can book directly | info@campleline.org.uk | 01848 331 000 | or via Eventbrite
URL:https://campleline.org.uk/event/rhona-warwick-paterson-reading-and-making/
LOCATION:Cample Line\, Thornhill\, DG3 4XX\, United Kingdom
CATEGORIES:autumn programme
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/London:20191123T180000
DTEND;TZID=Europe/London:20191123T203000
DTSTAMP:20260405T231019
CREATED:20191003T212711Z
LAST-MODIFIED:20191120T204908Z
UID:4672-1574532000-1574541000@campleline.org.uk
SUMMARY:Chantal Akerman  Screening and Reading
DESCRIPTION:  \nChantal Akerman\, No Home Movie\n(2015) Belgium\, 1hr 55mins\, French\, English subtitles\, cert PG\n£5 (£3) | Booking advised \nWith a reading from Akerman’s My Mother Laughs (Silver Press\, 2019) \nNo Home Movie\, Akerman’s final film\, is a poignant documentary study of her elderly mother\, Nelly Akerman\, a Holocaust survivor born in Poland. The film features conversations between them\, in person or over Skype\, often concerning her mother’s declining health and her wartime experiences\, with long static shots of her mother pottering from room to room in her Brussels apartment. In My Mother Laughs\, a literary counterpart to the film (first published in 2013)\, Akerman writes about her mother and of her deteriorating physical state\, but also of her own life and apprehension for a future without her mother’s presence. Written in the Brussels apartment\, this ‘interior notebook’ shares deeply personal thoughts with uncompromising honesty. In different ways\, through both word and image\, Akerman presents us with a story of loss and a version of the ‘simplest and most complicated love story of all: that between a mother and a daughter.’ \nTo introduce the film\, JoAnne McKay will read excerpts from My Mother Laughs\, and include poems written about her own mother. \nJoAnne McKay has lived in Dumfriesshire for the past two decades and her work has been widely published and anthologised\, most recently in ‘If you find my mother buy her flowers’ (The Poets’ Republic Press\, 2019). Her most recent project\, ‘We Fire the Dark’\, was a series of readings at CAMPLE LINE exploring the collection of Dr Grierson’s museum in Thornhill. \nYou can book with us directly | info@campleline.org.uk | 01848 331 000 | or via Eventbrite
URL:https://campleline.org.uk/event/chantal-akerman-screening-and-reading/
LOCATION:Cample Line\, Thornhill\, DG3 4XX\, United Kingdom
CATEGORIES:autumn programme
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/London:20191116T140000
DTEND;TZID=Europe/London:20191116T170000
DTSTAMP:20260405T231019
CREATED:20191003T212202Z
LAST-MODIFIED:20191113T182927Z
UID:4669-1573912800-1573923600@campleline.org.uk
SUMMARY:Rosalind NashashibiScreening event
DESCRIPTION:Free | Booking advised \nSorcha Carey\, Director of Edinburgh Art Festival\, will introduce a special screening of Rosalind Nashashibi’s latest two-part film\, commissioned by Edinburgh Art Festival and shown and presented at Scottish National Gallery of Modern Art in summer 2019\, alongside two of Nashashibi’s earlier film works – Electrical Gaza (2015) and Vivian’s Garden (2017). A rare opportunity to view Nashashibi’s recent films together\, the screening will also include readings of material by Atef Abu Saif\, Michael Hugentobler and Ursula K Le Guin. \nYou can book directly with us | info@campleline.org.uk | 01848 331 000 | or via Eventbrite
URL:https://campleline.org.uk/event/rosalind-nashashibiscreening-event/
LOCATION:Cample Line\, Thornhill\, DG3 4XX\, United Kingdom
CATEGORIES:autumn programme
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/London:20191109T180000
DTEND;TZID=Europe/London:20191109T194500
DTSTAMP:20260405T231019
CREATED:20191003T211501Z
LAST-MODIFIED:20191003T212746Z
UID:4664-1573322400-1573328700@campleline.org.uk
SUMMARY:L'Atalante  Screening
DESCRIPTION:  \n(1934) Jean Vigo\, France\, 89mins\,\nFrench\, English subtitles\, cert PG\n£3 (£2) | Booking advised \n85 years on from its original release\, Jean Vigo’s 1934 film L’Atalante remains as beautiful and poetic as ever. \nThe story is an apparently simple one: Three men work a barge (named L’Atalante) on the waterways of northern France: Jean\, the skipper is young and hopeful (Jean Dasté)\, le père Jules\, a tattooed veteran of the world’s oceans (Michel Simon) and a cabin boy. They stop at a small town. Jean meets a girl\, Juliette (Dita Parlo)\, and they are married\, while hardly knowing each other. It is not an easy transition for the married couple\, and the barge itself becomes a lens for a captivating exploration of relationships and bonds. \nThe film is enhanced by Maurice Jaubert’s musical score and by Boris Kaufman’s extraordinary cinematography. \nYou can book directly | info@campleline.org.uk | 01848 331 000 | or via Eventbrite
URL:https://campleline.org.uk/event/latalante-br-screening/
LOCATION:Cample Line\, Thornhill\, DG3 4XX\, United Kingdom
CATEGORIES:autumn programme
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/London:20191102T100000
DTEND;TZID=Europe/London:20191102T160000
DTSTAMP:20260405T231019
CREATED:20191003T210630Z
LAST-MODIFIED:20191003T211611Z
UID:4660-1572688800-1572710400@campleline.org.uk
SUMMARY:Linocut Workshop  with Clare Melinsky
DESCRIPTION:Linocut Workshop with Clare Melinsky\nWorkshop for age 16 years+\nSat 2 November\, 10am–4pm\n5 places available | £8 to cover cost of materials and refreshments \nJoin us for a linocut workshop with printmaker and leading linocut illustrator Clare Melinsky in the context of our autumn programme. You will have the opportunity to hear from Clare about some of her latest projects\, and then develop your own prints with Easycut lino\, inks and rollers\, as well as Clare’s small wooden press. \nClare Melinsky lives and works in Dumfriesshire. She has a highly regarded career as an illustrator and linocut printmaker\, building up a wide-ranging practice over more than 30 years that has seen her illustrate signature editions of all seven Harry Potter volumes (2010)\, a new Penguin edition of Shakespeare volumes\, and poetry by Julia Donaldson (2014). \nBeginners are welcome\, as well as more experienced students.\nIncludes a 30 min lunch break at 1pm. \nYou can book directly with us | info@campleline.org.uk | 01848 331 000 | or via Eventbrite
URL:https://campleline.org.uk/event/linocut-workshop-with-clare-melinsky/
LOCATION:Cample Line\, Thornhill\, DG3 4XX\, United Kingdom
CATEGORIES:autumn programme
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/London:20191102T100000
DTEND;TZID=Europe/London:20191102T110000
DTSTAMP:20260405T231019
CREATED:20191003T214255Z
LAST-MODIFIED:20191003T214634Z
UID:4683-1572688800-1572692400@campleline.org.uk
SUMMARY:Read With Us!  John Ruskin\, The King of the Golden River (1851)
DESCRIPTION:  \nSat 2\, 9\, 16\, 23\, 30 November\n10–11am | Free\nRecommended for ages 9–11 years \nJohn Ruskin\, The King of the Golden River (1851)\, illustrated by Quentin Blake for a new 2019 edition \n  \nJoin us over five Saturdays in November for a chapter a week of John Ruskin’s The King of The Golden River. Written in 1841 and then published ten years later\, Ruskin’s story tells of Treasure Valley\, the natural resources and beauty of which are diminished by the greed of two brothers Hans and Schwarz. Written as a fable\, Ruskin’s story might seem more relevant than ever in its understanding of how the actions of man impact upon the earth and its resources\, and that these are powerful ideas for children and young people to grasp. \nA copy of this book was owned by local doctor Thomas B Grierson\, and listed as #502 in the index made of his museum library in 1965.
URL:https://campleline.org.uk/event/read-with-us-john-ruskin-the-king-of-the-golden-river-1851/
LOCATION:Cample Line\, Thornhill\, DG3 4XX\, United Kingdom
CATEGORIES:autumn programme
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/London:20191026T180000
DTEND;TZID=Europe/London:20191026T200000
DTSTAMP:20260405T231019
CREATED:20191003T210007Z
LAST-MODIFIED:20191003T210211Z
UID:4655-1572112800-1572120000@campleline.org.uk
SUMMARY:Manakamana  Screening
DESCRIPTION:Manakanmana\n(2013) Stephanie Pray and Pacho Velez\nUS\, Nepal\, 1hr 58mins\, English subtitles\n£3 (£2) | Booking advised \nHumane and mesmerising\, Manakamana is a documentary shot entirely inside the narrow confines of a cable car\, high above a jungle in Nepal\, as it transports villagers and tourists to an ancient mountaintop temple. Filmed in 16mm and comprising 11 rides (each single take corresponds to the length of a roll of film)\, Manakamana is a gentle\, ephemeral character study of its passengers and a window onto the lush\, rolling landscape of a country in transition from ancient tradition to modernity. \nYou can book directly with us |info@campleline.org.uk | 01848 331 000| or via Eventbrite
URL:https://campleline.org.uk/event/manakamana-screening/
LOCATION:Cample Line\, Thornhill\, DG3 4XX\, United Kingdom
CATEGORIES:autumn programme
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/London:20191013T180000
DTEND;TZID=Europe/London:20191013T200000
DTSTAMP:20260405T231019
CREATED:20190916T115931Z
LAST-MODIFIED:20190916T121049Z
UID:4476-1570989600-1570996800@campleline.org.uk
SUMMARY:Screening  Sameblod\, 2016
DESCRIPTION:Sameblod\nDir. Amanda Kernell (Sweden)\n2016\n1hr 50mins\, Swedish and Sami\, English subtitles\n£3 \ £2 \n \n\nJoin us for this screening of Swedish director Amanda Kernell’s 2016 film Sameblod (Sami Blood)  \nSameblod tells the story of 14-year-old Elle Marja\, a reindeer-breeding Sámi girl. Exposed to the racism of the 1930s and eugenics experiments at her boarding school she starts dreaming of another life. To achieve this other life she has to become someone else and break all ties with her family and culture. \nKernell has Sami heritage through her father\, and has said: ‘This film is a declaration of love to the elders in my family and their generation.’ \nScreening as part of Scotland and the Arctic: A Conversation \nYou can book with us directly: info@campleline.org.uk | 01848 331 000\nOr you can book through Eventbrite here
URL:https://campleline.org.uk/event/screening-sameblod-2016/
LOCATION:Cample Line\, Thornhill\, DG3 4XX\, United Kingdom
CATEGORIES:autumn programme
END:VEVENT
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