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DTSTART;TZID=Europe/London:20190320T190000
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UID:3559-1553108400-1553115600@campleline.org.uk
SUMMARY:READING GROUP
DESCRIPTION:  \n \n  \nRoy Jacobsen\, The Unseen \n(2016\, Paperback\, MacLehose\, 269pp) \nJoin us for our 10th read: Norwegian writer Roy Jacobsen’s book The Unseen has been described by Justine Jordan as ‘a profound interrogation of freedom and fate.’ \nIngrid Barrøy is born on the island that bears her family name. Her father dreams of building a jetty that will connect them to the mainland\, but closer ties to the wider world come at a price. Island life is hard\, so when Ingrid comes of age\, she is sent to the mainland to work for one of the wealthy families on the coast. But Norway too is waking up to a wider world. Tragedy strikes\, and Ingrid must fight to protect the home she thought she had left behind. \nPlease bring your own copy of the book.
URL:https://campleline.org.uk/event/reading-group/
LOCATION:Cample Line\, Thornhill\, DG3 4XX\, United Kingdom
CATEGORIES:Spring Edition
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DTSTART;TZID=Europe/London:20190316T143000
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DTSTAMP:20260406T135905
CREATED:20190220T125831Z
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UID:3553-1552746600-1552755600@campleline.org.uk
SUMMARY:EXHIBITION OPENING Jacqueline Hoang Nguyen Maeve Brennan Laura Waddington
DESCRIPTION:  \nSAT 16 MARCH – SAT 25 MAY 2019\nEXHIBITION\nJacqueline Hoàng Nguyen | Maeve Brennan | Laura Waddington \nThursdays 12.30-7pm | Fridays 10am-4pm | Saturdays 11am-5pm | Or by appointment\nFree \nWe are delighted to present Black Atlas (2016)\, a five-part installation by Stockholm-based Canadian artist Jacqueline Hoàng Nguyen. Based on photographs that Nguyen found in the archives of the Museum of Ethnography in Stockholm\, Black Atlas reflects upon the nameless porters and workers who were used to transport an array of material from distant countries to the museum’s storage on behalf of some of its prominent benefactors. \nScreening daily alongside Black Atlas are two films that explore these threads in our contemporary world. Laura Waddington’s film CARGO (2001\, 29 mins) evokes the contradictions of a global freight network that services the movement of goods at the expense of the freedoms of its crew. Based on a six-week journey she made on a container ship with Rumanian and Filipino sailors\, Waddington has said of CARGO‘it falls between reality and fiction. It was a way of showing the limbo these men were living in.’ \nMaeve Brennan’s The Drift (2017\, 50mins) traces the shifting economies of objects in contemporary Lebanon through three individuals: Fakhry\, Mohammed and Hashem. It draws out their embodied knowledge of materials and things –  Fakhry guarding the Roman temple he rebuilt\, Mohammed replacing salvaged car parts as he talks\, Hashem silently repairing ceramic fragments –  in contrast to the exploitative practices we glimpse at the sharper edge of conflict. \n  \nMaeve Brennan\, The Drift (2017\, 50mins\, HD video)\, produced by Spike Island\, Bristol and Chisenhale\, London\, and commissioned by those venues along with The Whitworth\, Manchester\, and Lismore Castle Arts \n Laura Waddington CARGO (2001\, 29mins\, Digibeta)\, commissioned by International Film Festival Rotterdam
URL:https://campleline.org.uk/event/exhibition-opening-jacqueline-hoang-nguyen-maeve-brennan-laura-waddington/
LOCATION:Cample Line\, Thornhill\, DG3 4XX\, United Kingdom
CATEGORIES:Spring Edition
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