BEGIN:VCALENDAR VERSION:2.0 PRODID:-//CAMPLE LINE - ECPv6.15.17//NONSGML v1.0//EN CALSCALE:GREGORIAN METHOD:PUBLISH X-ORIGINAL-URL:https://campleline.org.uk X-WR-CALDESC:Events for CAMPLE LINE REFRESH-INTERVAL;VALUE=DURATION:PT1H X-Robots-Tag:noindex X-PUBLISHED-TTL:PT1H BEGIN:VTIMEZONE TZID:Europe/London BEGIN:DAYLIGHT TZOFFSETFROM:+0000 TZOFFSETTO:+0100 TZNAME:BST DTSTART:20180325T010000 END:DAYLIGHT BEGIN:STANDARD TZOFFSETFROM:+0100 TZOFFSETTO:+0000 TZNAME:GMT DTSTART:20181028T010000 END:STANDARD BEGIN:DAYLIGHT TZOFFSETFROM:+0000 TZOFFSETTO:+0100 TZNAME:BST DTSTART:20190331T010000 END:DAYLIGHT BEGIN:STANDARD TZOFFSETFROM:+0100 TZOFFSETTO:+0000 TZNAME:GMT DTSTART:20191027T010000 END:STANDARD BEGIN:DAYLIGHT TZOFFSETFROM:+0000 TZOFFSETTO:+0100 TZNAME:BST DTSTART:20200329T010000 END:DAYLIGHT BEGIN:STANDARD TZOFFSETFROM:+0100 TZOFFSETTO:+0000 TZNAME:GMT DTSTART:20201025T010000 END:STANDARD BEGIN:DAYLIGHT TZOFFSETFROM:+0000 TZOFFSETTO:+0100 TZNAME:BST DTSTART:20210328T010000 END:DAYLIGHT BEGIN:STANDARD TZOFFSETFROM:+0100 TZOFFSETTO:+0000 TZNAME:GMT DTSTART:20211031T010000 END:STANDARD BEGIN:DAYLIGHT TZOFFSETFROM:+0000 TZOFFSETTO:+0100 TZNAME:BST DTSTART:20220327T010000 END:DAYLIGHT BEGIN:STANDARD TZOFFSETFROM:+0100 TZOFFSETTO:+0000 TZNAME:GMT DTSTART:20221030T010000 END:STANDARD END:VTIMEZONE BEGIN:VEVENT DTSTART;TZID=Europe/London:20210226T180000 DTEND;TZID=Europe/London:20210305T180000 DTSTAMP:20260517T143012 CREATED:20210221T211831Z LAST-MODIFIED:20210221T211831Z UID:10122-1614362400-1614967200@campleline.org.uk SUMMARY:Screenings At Home: A Place Called Lloyd (2015\, Bolivia/Denmark) DESCRIPTION:A PLACE CALLED LLOYD \n \n\n\n\n\n\n2015\, Bolivia/Denmark\nDirected by Sebastian Cordes\n80 mins\, Cert PG\, English subtitles\nClosed Captions for d/Deaf and Hard of Hearing available \n\nTickets – Pay What You Can – £5 / £3.50 / £2 / Free\nSee our ticket scale here \n\n\n\nWhen Lloyd Aereo Boliviano\, one of the world’s oldest airlines\, went bankrupt in 2008\, many of the employees decided to continue working without a salary. Seven years later\, they still check life vests\, stitch covers for plane seats and manage their books despite their planes remaining grounded. \n\n\n\n26 February – 5 March: available to watch online\nFriday 26 February\, 6pm: communal viewing\nFriday 26 February\, 8pm: Director Sebastian Cordes in conversation with Dr Nadin Mai \nMore info URL:https://campleline.org.uk/event/screenings-at-home-a-place-called-lloyd-2015-bolivia-denmark/ CATEGORIES:screenings at home END:VEVENT BEGIN:VEVENT DTSTART;TZID=Europe/London:20210220T140000 DTEND;TZID=Europe/London:20210220T160000 DTSTAMP:20260517T143012 CREATED:20210127T223200Z LAST-MODIFIED:20210127T223239Z UID:9904-1613829600-1613836800@campleline.org.uk SUMMARY:Map making: a creative online workshop led by Juliana Capes DESCRIPTION:  \nThis February artist Juliana Capes will lead a creative workshop that invites you to explore your memories of place and journey through processes of description\, mapping\, drawing\, folding\, knotting\, weaving and painting. \nAbout this session \nJoin this informal and engaging session and make artworks layered with meaningful marks and memories. \nGuided by Juliana\, this workshop will begin with a simple drawing activity based around processes of describing and mapping in relation to places that are special to us\, or memorable journeys we have taken\, or a commute we aren’t doing at the moment. There will be opportunity to share these with each other and draw maps of each other’s descriptions. \nIn the workshop Juliana will include some paper folding\, knotting and weaving techniques for you to try so that you can develop your map in three dimensions\, and there will also be a chance to add paint and explore colour and emotion. \n\nAbout Juliana Capes \nJuliana Capes is an award-winning multi-disciplinary visual artist. She has worked in the arts in Scotland for the last 23 years\, exhibiting most recently at Edinburgh’s Fruitmarket Gallery\, Royal Scottish Academy and Edinburgh Art Festival. \nJuliana’s diverse practice often uses the vocabulary of natural phenomena to ask questions about the processes of feeling\, seeing and believing. She is also passionate about access to the arts and concurrently works in creative learning in galleries and community contexts. In particular over the last 15 years she has worked extensively with a Visually Impaired audience\, notably as lead artist on the National Gallery of Scotland’s Visual Impairment programme. \nRead more here \nBook a place here URL:https://campleline.org.uk/event/map-making-a-creative-online-workshop-led-by-juliana-capes/ END:VEVENT BEGIN:VEVENT DTSTART;VALUE=DATE:20210130 DTEND;VALUE=DATE:20210202 DTSTAMP:20260517T143012 CREATED:20210123T123903Z LAST-MODIFIED:20210123T124158Z UID:9775-1611964800-1612223999@campleline.org.uk SUMMARY:Screening At Home: Big Boy (2013\, Philippines) DESCRIPTION:  \nDirected by Shireen Seno\n89 mins\, Cert PG\, English subtitles\nClosed Captions for d/Deaf and Hard of Hearing available \n\n\n\n\n\n\nTickets – Pay What You Can – £5 / £3.50 / £2 / Free\nBook here \n30 January – 1 February: available to watch online (UK only)\nSaturday 30 January\, 6:30pm: communal viewing\nSunday 31 January\, 1:00pm: Director Shireen Seno in conversation with Dr Philippa Lovatt (live captions available) \nBig Boy was Shireen Seno’s first feature\, shot on an ultra-low budget and taking inspiration from family tales as well as the visual traces left behind by previous generations. Set in the 1950s on the Island of Mindoro in the Philippines – in the years after the official end of the American occupation in 1946 – the film tells the  story of Julio and his family’s many interventions to make him grow as physically tall as possible in their pursuit of  a better life.  \nMore info URL:https://campleline.org.uk/event/big-boy-2013/ CATEGORIES:screenings at home END:VEVENT BEGIN:VEVENT DTSTART;VALUE=DATE:20201211 DTEND;VALUE=DATE:20201215 DTSTAMP:20260517T143012 CREATED:20201130T140151Z LAST-MODIFIED:20201130T140151Z UID:8699-1607644800-1607990399@campleline.org.uk SUMMARY:Screening At Home: Echo (2019\, Dir. Rúnar Rúnarsson) DESCRIPTION:Still from Echo (2019) © The Party Sales\n\n\nECHO\n2019\, Iceland\nDirected by Rúnar Rúnarsson \n\n\n\n\n\n79 mins\, Cert PG\,\nIcelandic with English subtitles\nClosed Captions available \n\n\n\n\n\n\nClick here to book\nTickets – Pay What You Can – £5 / £3.50 / £2 / Free\nSee our ticket scale here \n\n\n\n\nShot over the advent season of December 2018 to New Year’s day 2019\, Echo comprises 56 single-shot vignettes that together draw a jigsaw-like portrait of modern day Iceland at Christmas time. In open countryside\, a farm is burning. In a school\, a choir is singing carols. In a museum\, a janitor argues on the phone whilst cleaning the windows of a taxidermy exhibit. \n\n\n\n\n\n\n\n\n\nOf his film\, Rúnar Rúnarsson has said: ‘In this sometimes stressful time of year it’s easy to lose track of ourselves and get disconnected from our surroundings. At the same time\, the dusk of the year fuels self-reflection and enables us to put our lives into perspective\, often evoking empathy for others. Each individual in the film will only appear in a single scene and therefore there won’t be a main character. Each scene is an observing\, static one slate shot on a tripod. Time is only broken when there is a cut between scenes. By themselves\, these scenes either tell a short story or capture a mood or an emotion\, but together they form a whole. It will be a kind of mosaic picture that functions as an echo from postmodern society\, a contemporary mirror.’ \nRúnar Rúnarsson is an Icelandic filmmaker born in Reykjavik in 1977. In 2009\, he graduated from the Directors’ section of The National Film School of Denmark. His short film The Last Farm (2004) was an Academy-Award nominee and was followed by 2 Birds\, which competed for the Short Film Palme d’Or at the 2008 Cannes Film Festival. His first feature Volcano premiered at Cannes Directors’ Fortnight in 2011. His sophomore feature Sparrows won the Golden Shell at San Sebastian in 2015. Echo is Rúnar Rúnarsson’s third feature-film. \nAvailable to watch online from Friday 11 December 6:30pm (GMT) – Monday 14 December 6:30pm (GMT) \nLive online discussion on Friday 11 December at 8:00pm URL:https://campleline.org.uk/event/screening-at-home-echo-2019-dir-runar-runarsson/ CATEGORIES:autumn programme END:VEVENT BEGIN:VEVENT DTSTART;VALUE=DATE:20201125 DTEND;VALUE=DATE:20201203 DTSTAMP:20260517T143012 CREATED:20201118T153251Z LAST-MODIFIED:20201124T114111Z UID:8589-1606262400-1606953599@campleline.org.uk SUMMARY:Screening At Home: Jamilia (2018\, Dir. Aminatou Echard) DESCRIPTION:  \nJamilia\n2018\, Kyrgyzstan / FR\nDirected by Aminatou Echard\n84 mins\, Cert PG\,\nKyrgyz\, Russian\, Uzbek and English\nwith English subtitles\nSDH subtitles available \n\n\n\n\n\n\nTickets – Pay What You Can – £5 / £3.50 / £2 / Free \nClick here to book \n\n25 November – 2 December: available to watch online\nWednesday 25 November\, 6.30pm: communal viewing\nWednesday 25 November\, 8:30pm: live Q&A with the film’s Director\, Aminatou Echard  (this event will be live captioned) \nShot in Kyrgyzstan on richly saturated Super-8mm\, French filmmaker Aminatou Echard takes up the title character of Jamilia – the 1958 novel by Chinghiz Aytmatov – as a pretext through which to speak to Kyrgyz women of all generations about their own lives. \nA modern classic in Kyrgyzstan and set during the Second World War\, the novel Jamilia tells the story of a free-spirited heroine who falls in love with a wounded and solitary young man\, Daniyar\, while her husband is away on the front. \nOver the course of her film\, Echard introduces contemporary Kyrgyz women who she invites to talk about Jamilia as a literary heroine and indeed a cultural figure. They variously project themselves onto her\, and in turn reveal their own private lives and desires\, the social rules of contemporary Kyrgyzstan\, and their ideas of freedom. \nTheir candid answers\, recorded in audio interviews separated from the film’s grainy Super-8mm images\, gives Echard’s Jamilia the confessional intimacy of home movies. Through the capture of these personal reflections\, interpretations and associations the film speaks of the influence and interpretation of the novel across decades of the nation’s history and into the post-Soviet present. \n‘Echard’s film juxtaposes the gorgeously composed visuals of day-to-day life with the powerful voices of the women of Kyrgyzstan. Connecting literature\, reality\, past\, and the present\, Echard’s film is a testament to the importance of women’s stories.’ —The Arts Fuse \nAminatou Echard (b. 1973) is a French filmmaker. She studied Ethnomusicology and Cinema History in Paris and Bologna. As an artist who works with experimental film and documentary\, Aminatou’s focus is how space transforms people and how people inhabit spaces. She conveys this idea by exploring the relationship between sound and image. Fieldwork is a crucial element in her artistic practice. After four years of working in Bolivia in ethnomusicology\, she started a new project in Central Asia (Kyrgyzstan\, Uzbekistan and Kazakhstan) in 2006 by collecting super 8 images and sounds to gain an understanding of the specific relationship between spaces and people. \n\nAvailable to watch online from Wednesday 25 November 6:30pm (GMT) – Wednesday 2 December 6:30pm (GMT) \nLive online discussion on Wednesday 25 November at 8:30pm – this event will be live captioned \nA PDF transcript of the discussion will be available on request URL:https://campleline.org.uk/event/screening-at-home-jamilia-2018-dir-aminatou-echard/ CATEGORIES:autumn programme END:VEVENT BEGIN:VEVENT DTSTART;TZID=Europe/London:20201117T193000 DTEND;TZID=Europe/London:20201117T203000 DTSTAMP:20260517T143012 CREATED:20201018T204401Z LAST-MODIFIED:20201117T153048Z UID:8058-1605641400-1605645000@campleline.org.uk SUMMARY:Book Week Scotland - with Stuart A. Paterson DESCRIPTION:The Body Wha Plantit Trees \nPoet and writer Stuart A. Paterson reads from Jean Giono’s novella The Man Who Planted Trees (1953) \nOnline\, free\nClick here to book \nJoin us for this special event with poet and writer Stuart A. Paterson as part of Book Week Scotland. We are delighted that Stuart will read in Scots from Jean Giono’s beautiful story The Man Who Planted Trees\, and also drawing on some of his own poetry. \nIn 1910\, while hiking through a desolate valley in Provence\, a young man meets a shepherd who he watches sort and then plant hundreds of acorns. On visiting the shepherd ten years later\, he sees a young forest now spreading slowly over the valley\, which then gradually over the years becomes a living\, green landscape. Giono’s is an enduring tale that speaks of the accumulating impact of small actions and the power of individual efforts that attend with care to the world around us. \nIn translating The Man Who Planted Trees into Scots\, Stuart has said ‘Scotland’s very own Robert Louis Stevenson famously wrote “Don’t judge each day by the harvest you reap\, but by the seeds that you plant.” This story is a magical seed itself which continues to be planted across the world and is as relevant to the glens of Scotland in 2020 as it was to the valleys of Provence in 1953. Lug in and find out why!’ \nStuart A. Paterson has been one of Scotland’s best known poets over the past 30 years. He was voted Scots Writer of the Year at the national 2020 Scots Language Awards. A native Scots speaker\, he lives in Galloway and was recently the official BBC Scotland Poet in Residence. \nPhoto: Alistair Heather\, 2020 URL:https://campleline.org.uk/event/book-week-scotland-stuart-paterson/ CATEGORIES:autumn programme END:VEVENT BEGIN:VEVENT DTSTART;VALUE=DATE:20201105 DTEND;VALUE=DATE:20201127 DTSTAMP:20260517T143012 CREATED:20201018T210659Z LAST-MODIFIED:20201103T182103Z UID:8056-1604534400-1606435199@campleline.org.uk SUMMARY:Distant Spaces - online classes with Lilian Ptacek DESCRIPTION:Four online printmaking classes led by artist Lilian Ptacek \nEvery Thursday evening 5-26 November (inclusive)\n7-8.30pm\n \nOnline\, free\n10 spaces per session \nClick here to book\nFind out more about Lilian’s evening classes here \nThis autumn artist Lilian Ptacek will lead four online evening classes for CAMPLE LINE\, taking place as a short course each Thursday evening 5-26 November (inclusive). \nThe classes will draw on Sara Barker’s exhibition undo the knot\, and consider how Barker approached creating her work at a distance from the gallery. Over the four classes\, you will be able to create prints using materials and objects that are to hand whilst taking inspiration from distant locations that we are currently not so easily able to visit. \nEach class is based around a particular printmaking process. Lilian will introduce and guide you through each technique as you explore how memories and stories are integral to our understanding of spaces. \nLilian Ptacek graduated from The Glasgow School of Art in Fine Art\, Painting and Printmaking in 2015. Since then\, she has developed a practice across printmaking\, collage and installation\, often working collaboratively on projects with artists\, community groups and young people. She has worked as an Art Educator for numerous organisations\, including Edinburgh Printmakers\, and she is currently working for The University of Edinburgh as a tutor for Access to Creative Education in Scotland (ACES). URL:https://campleline.org.uk/event/distant-spaces-online-classes-with-lilian-ptacek/ CATEGORIES:autumn programme END:VEVENT BEGIN:VEVENT DTSTART;VALUE=DATE:20201104 DTEND;VALUE=DATE:20201112 DTSTAMP:20260517T143012 CREATED:20201018T205448Z LAST-MODIFIED:20201018T205632Z UID:8090-1604448000-1605139199@campleline.org.uk SUMMARY:Screenings At Home Ascent (2016) DESCRIPTION:Ascent\n2016\, Japan/NL\nDirected by Fiona Tan\n80mins\, English\, Japanese\, with English subtitles\nClosed captions available \nTickets on a pay-what-you-can scale\nClick here to book\nPlease visit our Screenings at home page \n4 – 11 November: available to watch online (UK only)\nWednesday 4 Nov 6.30pm (BST): communal viewing\nWednesday 4 Nov 8.30pm (BST): live online discussion \nA western female writer and her Japanese correspondent\, Hiroshi\, narrate a metaphorical journey up the iconic and mysterious Mount Fuji in Japan\, crossing geographical\, temporal and cultural divides. Made entirely with stills\, Fiona Tan’s Ascent has been referred to as a photo-film\, balanced between documentary and fiction\, photography and film. \nSuccessive images of Mount Fuji – spanning the history of photography  as well as Japanese and western art and popular culture – inspire the narrators to uncover different paths up the mountain\, and to muse on the significance it holds within Japanese history\, religion and philosophy. \nIn the words of David Campany\, Ascent offers the viewer ‘a rich weave of associations that are personal\, poetic\, historical\, scientific\, anthropological\, military\, geological\, political\, literary and artistic. Ascent is a bowl for images\, a vortex of images\, with Mount Fuji at its centre.’ URL:https://campleline.org.uk/event/screenings-at-home-ascent-2016/ CATEGORIES:autumn programme END:VEVENT BEGIN:VEVENT DTSTART;TZID=Europe/London:20201007T190000 DTEND;TZID=Europe/London:20201007T203000 DTSTAMP:20260517T143012 CREATED:20200829T071409Z LAST-MODIFIED:20200829T071441Z UID:7783-1602097200-1602102600@campleline.org.uk SUMMARY:Our next read #20 DESCRIPTION:Our Book Group has moved online for the time being! \nOur next read is Jenny Erpenbeck’s Go\, Went\, Gone\n(2018\, 286pp\, New Directions\, translated from German by Susan Bernofsky)\nJoin our discussion\nWeds 7 October\, 7-8.30pm\non Zoom \n \nRichard has spent his life as a university professor\, immersed in the world of books and ideas\, but now he is retired\, his books remain in their packing boxes and he steps into the streets of his city\, Berlin. Here\, on Alexanderplatz\, he discovers a new community — a tent city\, established by African asylum seekers. Hesitantly\, getting to know the new arrivals\, Richard finds his life changing\, as he begins to question his own sense of belonging in a city that once divided its citizens into them and us. \nA book that ‘resonates with an unexpected simplicity that is profound\, unsettling and subtle.’ Eileen Battersby \nIf you would like to participate\, but Wednesday 7 October is not possible for you\, then please also be in touch – info@campleline.org.uk URL:https://campleline.org.uk/event/our-next-read-20/ CATEGORIES:Summer 2020 END:VEVENT BEGIN:VEVENT DTSTART;TZID=Europe/London:20200913T193000 DTEND;TZID=Europe/London:20200913T203000 DTSTAMP:20260517T143012 CREATED:20200831T222051Z LAST-MODIFIED:20200909T141740Z UID:7863-1600025400-1600029000@campleline.org.uk SUMMARY:12: A collective of women writers DESCRIPTION:Introduction and launch of new poems by 12: a collective of women writers in response to Helen Mirra’s Acts for placing woollen and linen\nOnline\, free\nSubtitles available (for performance only)\nBook here\n\n\n\n\n\n\n\n  \nDo join us for the launch of a collection of newly-commissioned poems written by 12 and performed and recorded at CAMPLE LINE in late August in response to Helen Mirra’s exhibition Acts for placing woollen and linen. \nOur director Tina Fiske will introduce the collection of new poems and their performance at CAMPLE LINE\, which will be followed by a communal viewing of the recorded performance. \n\n\nTaking the seven alternating stripes of the weavings themselves as a starting point\, the collection of seven-line poems written by Tessa Berring\, Lynn Davidson\, Marjorie Lotfi Gill\, Jane Goldman and JL Williams also incorporate responses to one another’s writing\, which echo the very nature of the exhibition – an undertaking that is at once collective and individual: \nHang my life on a wall\, woman\, and break it \ninto seven parts. Give each stripe a hand to tell \nits story as a loveline\, a lifeline across the palm – \nit’s never a perfect square\, though the eye will want \nit so\, correct it. Leave the edges ragged raw\, \na tide line of hours\, the evidence of plumbing depth. \nEven the shadows show where the light won’t go. \nMLG \n\nThis event will take place on our Eventive platform. Details will be emailed with confirmation of booking. URL:https://campleline.org.uk/event/12-a-collective-of-women-writers/ CATEGORIES:Summer 2020 END:VEVENT BEGIN:VEVENT DTSTART;TZID=Europe/London:20200910T193000 DTEND;TZID=Europe/London:20200910T203000 DTSTAMP:20260517T143012 CREATED:20200829T073259Z LAST-MODIFIED:20200908T212908Z UID:7786-1599766200-1599769800@campleline.org.uk SUMMARY:David Borthwick on walking\, access and accessibility DESCRIPTION:Join us for a talk by David Borthwick on walking\, access and accessibility\nWalking as practice\nDr David Borthwick\n7.30pm\nOnline\, free\nBook here \n \nReflecting on Helen Mirra’s Acts for placing woollen and linen\, Dr David Borthwick discusses walking as a practice and draws on wider recent writing.  He also discusses the assumptions that can lie behind walking practices\, and the questions these raise concerning access and accessibility. \nDr David Borthwick is a Lecturer in the School of Interdisciplinary Studies\, University of Glasgow. David’s research concerns modern and contemporary literary responses to the environment\, at present focusing on poetic responses to landscape and place. David is interested in the ecopoetic strategies of a range of contemporary UK poets including John Burnside\, Kathleen Jamie\, Alice Oswald and Robin Robertson. \nThis event will take place on Zoom. Details will be emailed on confirmation of booking. URL:https://campleline.org.uk/event/david-borthwick-on-walking-access-and-accessibility/ CATEGORIES:Summer 2020 END:VEVENT BEGIN:VEVENT DTSTART;TZID=Europe/London:20200828T183000 DTEND;TZID=Europe/London:20200830T183000 DTSTAMP:20260517T143012 CREATED:20200820T121157Z LAST-MODIFIED:20200820T121306Z UID:7753-1598639400-1598812200@campleline.org.uk SUMMARY:Talking about trees - available to screen at home DESCRIPTION:2019\, Sudan / France / Germany / Chad / Qatar \n\n\n\n\nDirected by Suhaib Gasmelbari\n94mins\, English\, Cert PG\, Arabic with English subtitles\nSDH subtitles available \n\n\n\n\n\nTickets – Free | £2 | £3.50 | £5 \nBook here\nSee our ticket scale here \n28 – 30 August: available to watch online (UK only)\nFriday 28 August\, 6.30pm: communal viewing\nFriday 28 August\, 8:30pm: live online discussion \n\n\n\n\n \nIbrahim\, Manar\, Suleiman and Altayeb are the members of the Sudanese Film Club founded in 1989. Unable to make films for years\, they have decided to revive an old cinema. They are united by their love of cinema\, their passionate desire to restore old films and draw attention to Sudanese film history\, and also by the fact that they all experienced a film education outside Sudan. \n\n\n\n\n\n\n\n\nTheir plans to renovate the outdoor cinema come up against bureaucracy\, lack of cash and a general fear of upsetting the government. \nIn the meantime\, they sit together and talk about the past and the history of Sudanese cinema\, including their experiences of persecution as oppositional artists. They recall their times of exile and dream of a Sudan in which art and intellectual thought can be free. \n\nThis screening of Talking About Trees is part of Film FeelsConnected\, a UK-wide cinema season\, supported by the National Lottery and BFI Film Audience Network.  Explore all films and events at filmfeels.co.uk URL:https://campleline.org.uk/event/available-to-screen-talking-about-trees/ CATEGORIES:Summer 2020 END:VEVENT BEGIN:VEVENT DTSTART;TZID=Europe/London:20200826T190000 DTEND;TZID=Europe/London:20200826T203000 DTSTAMP:20260517T143012 CREATED:20200717T074400Z LAST-MODIFIED:20200717T074400Z UID:7237-1598468400-1598473800@campleline.org.uk SUMMARY:Our Next Read #19 DESCRIPTION:Our Book Group has moved online for the time being! \nOur next catch-up:\nWeds 26 August\, 7-8.30pm\non Zoom \n \n  \nOur next read: Jenny Offill\, Weather (2020\, Granta\, 224pp) \nLizzie Benson slid into her job as a librarian without a traditional degree. But this gives her a vantage point from which to practise her other calling: as an unofficial shrink. For years\, she has supported her God-haunted mother and her recovering addict brother. They have both stabilized for the moment\, but then her old mentor\, Sylvia Liller\, makes a proposal. Sylvia has become famous for her prescient podcast\, Hell and High Water\, and wants to hire Lizzie to answer the mail she receives: from left-wingers worried about climate change and right wingers worried about the decline of western civilisation. As she dives into this polarized world\, she begins to wonder what it means to keep tending your own garden once you’ve seen the flames beyond its walls. When her brother becomes a father and Sylvia a recluse\, Lizzie is forced to acknowledge the limits of what she can do. But if she can’t save others\, then what\, or who\, might save her? \nIf you would like to participate\, but Wednesday 26 August is not possible for you\, then please also be in touch – info@campleline.org.uk URL:https://campleline.org.uk/event/our-next-read-19/ CATEGORIES:Summer 2020 END:VEVENT BEGIN:VEVENT DTSTART;TZID=Europe/London:20200818T183000 DTEND;TZID=Europe/London:20200818T200000 DTSTAMP:20260517T143012 CREATED:20200804T095918Z LAST-MODIFIED:20200811T094914Z UID:7548-1597775400-1597780800@campleline.org.uk SUMMARY:Open Book Session Creative Writing with Marjorie Lotfi Gill DESCRIPTION:Creative Writing with Marjorie Lotfi Gill\nFree online workshop\n10 places available\nBook here \n \nThis August we are delighted to be partnering with Open Book for a shared reading and creative writing workshop led by poet Marjorie Lotfi Gill. \nTogether you will read and discuss passages of fiction and poetry thematically linked to Helen Mirra’s exhibition Acts for placing woollen and linen at CAMPLE LINE\, then try your hand at creative writing in response. \nNo prior reading\, experience or expertise necessary. \nMarjorie Lotfi Gill is a poet and a facilitator of creative writing. She founded and runs Open Book\, which promotes reading groups for the vulnerable and for adults in the community and is the current Chair of Trustees for the Wigtown Book Festival. URL:https://campleline.org.uk/event/open-book-session-creative-writing-with-marjorie-lotfi-gill/ LOCATION:Cample Line\, Thornhill\, DG3 4XX\, United Kingdom CATEGORIES:Summer 2020 END:VEVENT BEGIN:VEVENT DTSTART;TZID=Europe/London:20200731T183000 DTEND;TZID=Europe/London:20200802T183000 DTSTAMP:20260517T143013 CREATED:20200716T153552Z LAST-MODIFIED:20200722T140212Z UID:7227-1596220200-1596393000@campleline.org.uk SUMMARY:Available to screen - Sleep Furiously DESCRIPTION:2008\, UK\,  1hr  34mins\, English\, Cert U\nDirected by Gideon Koppel\nSDH subtitles available \n\n\n\n\n\n\n\n\n\n\n  \nTickets – Free | £2 | £3.50 | £5\nPre-book here\nSee our ticket scale here \n31 July – 2 August: available to watch online\nFriday 31 July\, 6.30pm: communal viewing\nFriday 31 July\, 8:30pm: live Q&A with director Gideon Koppel\, hosted by filmmaker Margaret Salmon \n\n\n\nGideon Koppel’s documentary offers a meditative study of the rhythms of life in a small farming community in mid-Wales\, one to which Koppel has a long and personal connection. \n\n\n\n\n\n\n\n\n\nOf the film Koppel has said ‘In a farming community\, seasonal change and cyclical movements are very much part of life\, in quite a visceral and practical way – much more so than measurements of time. So while filming\, ritual\, rhythm and cyclical movements were important to me and it was then a question of finding ways to translate those sensitivities to pictures and sounds.’ \nThe film also depicts a way of life that is changing — the local school is about to close\, bus services have been withdrawn\, mechanisation is replacing the old ways\, congregations are dwindling. Wider patterns of change point to uncertain futures for remote communities such as Trefeurig\, but at no point does the film lose sight of the quiet power of individual encounters and routines\, as we follow John Jones\, for instance\, patiently driving his mobile library through the village lanes. \nPlease join us for a live Q&A with Gideon\, hosted by filmmaker Margaret Salmon\, on Friday 31 July at 8:30pm. URL:https://campleline.org.uk/event/available-to-stream-sleep-furiously/ CATEGORIES:Summer 2020 END:VEVENT BEGIN:VEVENT DTSTART;TZID=Europe/London:20200715T190000 DTEND;TZID=Europe/London:20200715T203000 DTSTAMP:20260517T143013 CREATED:20200614T095812Z LAST-MODIFIED:20200628T125419Z UID:6632-1594839600-1594845000@campleline.org.uk SUMMARY:Our Next Read #18 DESCRIPTION:Our Book Group has moved online for the time being!\n\nOur next catch-up:\nWeds 15 July\, 7-8.30pm\non Zoom \nOur next read:\nElin Willows Inlands (2020\, Nordisk Books\, 240 pages\, paperback\, translated by Duncan J Lewis from Swedish) \nA young woman from Stockholm moves to her boyfriend and his home town\, a small village in the inlands far north. The relationship has ended by the time they arrive there. Nevertheless she starts working at the local store\, and finds herself staying in the village for reasons she cannot quite understand. Slowly she works her way into this new place\, and the place works its way into her. The new community has different\, unwritten codes. You leave your door unlocked\, get drunk at the Hotel on Saturdays\, drive on the ice in your car. \nInlands is a radiant story about loss and change\, written in a stripped-down\, precise language. Willows examines the tangible mechanics of everyday life in a small community and the relationship between freedom and loneliness. The surroundings and wilderness remains a constant presence\, reflecting the inner landscape of the characters. \nIf you would like to participate\, but Wednesday 15 July is not possible for you\, then please also be in touch – info@campleline.org.uk URL:https://campleline.org.uk/event/our-next-readelin-willows-inlands-2020-240-pages/ CATEGORIES:Summer 2020 END:VEVENT BEGIN:VEVENT DTSTART;TZID=Europe/London:20200705T183000 DTEND;TZID=Europe/London:20200712T183000 DTSTAMP:20260517T143013 CREATED:20200611T210718Z LAST-MODIFIED:20200611T210745Z UID:6520-1593973800-1594578600@campleline.org.uk SUMMARY:Available to stream - A Magical Substance Flows Into Me (2016) DESCRIPTION:Available for streaming from our website is Jumana Manna\, A Magical Substance Flows Into Me (2016\, Israel/Palestine\, 66mins\, Arabic with English subtitles & SDH subtitles for d/Deaf and Hard of Hearing) \n\n– 5-12 July: available for streaming\n– Sunday 5 July\, 6.30pm: communal viewing\n– Sunday 5 July\, 8pm: live online discussion via Crowdcast\n– Sliding Scale ticket price – please click for details\n– Password to access the film and discussion will be emailed to you\n– Due to licensing limitations\, this film is available to stream in the UK only \nProceeds from this screening will be donated to Stephen Lawrence Charitable Trust and Show Racism the Red Card Scotland \nA Magical Substance Flows Into Me weaves through musical traditions of various communities living in and around Jerusalem. Jumana Manna took as her starting point German-Jewish ethnomusicologist Robert Lachmann’s field recordings of ‘Oriental’ groups in Palestine in the 1930s and his Oriental Music radio series made for the Palestinian Broadcasting Service (1920-1948). In the film we follow Manna as she revisits the communities that Lachmann studied – including Kurdish\, Moroccan\, and Yemenite Jews\, Samaritans\, members of urban and rural Palestinian communities\, Bedouins and Coptic Christians. Over the course of her travels she visits homes\, offices\, recording studios\, and places of worship\, replaying Lachmann’s recordings and makes new recordings of her own. Interspersed with these are scenes from her own family home in East Jerusalem. \nVideo still from A Magical Substance Flows into Me\, 2016\, HD video\, 66 min. Co-commissioned by the Sharjah Art Foundation and Chisenhale Gallery with Malmö Konsthall and the Biennale of Sydney. Courtesy of Jumana Manna. URL:https://campleline.org.uk/event/available-to-stream-a-magical-substance-flows-into-me-2016/ CATEGORIES:Summer 2020 END:VEVENT BEGIN:VEVENT DTSTART;TZID=Europe/London:20200510T183000 DTEND;TZID=Europe/London:20200510T203000 DTSTAMP:20260517T143013 CREATED:20200417T134032Z LAST-MODIFIED:20200417T134032Z UID:5805-1589135400-1589142600@campleline.org.uk SUMMARY:Online screening and discussion Willow and Wind (2000) DESCRIPTION:Willow and Wind (2000\, Iran\, 1hr 21 mins\, Persian with English subtitles) cert PG\nDirected by Mohammad Ali Talebi\n10-17 May: available for streaming\nSunday 10 May\, 6.30pm: communal viewing\nSunday 10 May\, 8.30pm: live online discussion via Crowdcast\n£4 per household | You can book through Eventbrite or with us directly\nFull details on how to access the film and discussion will be made available closer to the time. \n \nWe are delighted to be able to make Mohammed-Ali Talebi’s beautiful film Willow and Wind available online for one week\, beginning Sunday 10 May.  Written by Abbas Kiarostami\, a fellow Iranian filmmaker\, Willow and Wind is a hypnotic and evanescent film directed by Talebi (b. 1958)\,  and one of a number of films he has made that focus on children and their worlds. This film begins in a maths class; one of the classroom windows is broken and the children cannot concentrate because the rain is getting in. The culprit is not allowed to return to class until he mends the window\, so he embarks on a painstaking journey to transport a pane of glass across the countryside through a howling gale. URL:https://campleline.org.uk/event/online-screening-and-discussion-willow-and-wind-2000/ END:VEVENT BEGIN:VEVENT DTSTART;VALUE=DATE:20200430 DTEND;VALUE=DATE:20200501 DTSTAMP:20260517T143013 CREATED:20200417T133622Z LAST-MODIFIED:20200417T140332Z UID:5784-1588204800-1588291199@campleline.org.uk SUMMARY:Online writing project and workshop with Victoria Miguel DESCRIPTION:After John Cage: ‘Writing through’ Carlyle and Emerson\nA writing project and workshop with writer Victoria Miguel \nJohn Cage\, excerpt from Writings through the Essay\, On the Duty of Civil Disobedience\, courtesy of the John Cage Trust\nThursday 30 April (online workshop) and throughout May\nWorkshop timing to be confirmed with participants\nFree | Please be in touch with us directly to book \nThis spring\, we invite you to participate in a writing project and workshop with Victoria Miguel\, a writer and specialist in the work of artist and composer John Cage\, which explores Cage’s method of ‘writing through\,’ drawing on letters exchanged between the celebrated Scottish author and essayist Thomas Carlyle and the American writer Ralph Waldo Emerson. \nTheir life-long correspondence began following a visit Emerson made to Carlyle’s home in Craigenputtock\, Dunscore\, Dumfriesshire in August 1833\, and it influenced fellow writer Henry David Thoreau\, who wrote about Carlyle (and briefly about the Dumfriesshire landscape) whilst famously staying on Walden Pond on land owned by Emerson. \nJohn Cage returned repeatedly to the writings of Henry David Thoreau as a source for his practice of ‘writing through\,’ and Helen Mirra has in turn drawn on Cage’s indeterminate approach and his focus on the everyday in her own work. \nBeginning with an online workshop led by Victoria\, you will explore some of John Cage’s writing techniques\, focusing in particular on his use of chance and ‘writing through.’ After developing the technique in the first half of the workshop\, you will have time within the session to begin your own process of ‘writing through’ drawing on letters exchanged by Carlyle and Emerson. \nYou will then be able to finish your process of ‘writing through’ over a four-week period following the workshop. Victoria will be available throughout this time for additional help and queries and there will be the opportunity to share writing-in-progress. The finished writings will be gathered together in a pamphlet that will bring the writing of each participant into a collective form and contribute to a final outcome at CAMPLE LINE in late summer. \nThe workshop will take place on Crowdcast. (Please note this is free to use and easily available online. It does not require to be installed on a device.) \nVictoria Miguel is a writer. Her work has been published and presented by Triple Canopy\, Summerhall\, and Glasgow International. She worked for the John Cage Trust (2001-2007) and has been a specialist in Cage’s work\, creating unique performances\, for more than a decade. In 2019\, she produced ‘Mewantemooseicday’ 2019\, a day-long celebration of Cage and Merce Cunningham developed in collaboration with the University of Glasgow\, The Glasgow School of Art\, and Dance Studio Scotland at Clyde College. URL:https://campleline.org.uk/event/online-writing-project-and-workshop-with-victoria-miguel/ END:VEVENT BEGIN:VEVENT DTSTART;TZID=Europe/London:20200411T183000 DTEND;TZID=Europe/London:20200411T183000 DTSTAMP:20260517T143013 CREATED:20200302T215429Z LAST-MODIFIED:20200303T123404Z UID:5291-1586629800-1586629800@campleline.org.uk SUMMARY:Screening Jean de Florette (1986) DESCRIPTION:Sat 11 April | 6.30pm\nScreening\nClaude Berri Jean de Florette (1986)\nFrance\, 2hrs French\, English subtitles\, cert PG\n£3 (£2) | Booking advised via Eventbrite \nCo-adapted by director Claude Berri from a novel by Marcel Pagnol\, this hugely successful French historical drama concerns a fateful battle of wits over a valuable natural spring in a remote village in Provence. A disreputable old man and his nephew plot to trick their neighbour\, a newcomer from the city\, out of his newly inherited property. They use every available trick in an attempt to force him from his land\, but the novice farmer stands firm. URL:https://campleline.org.uk/event/screening-jean-de-florette-1986/ LOCATION:Cample Line\, Thornhill\, DG3 4XX\, United Kingdom END:VEVENT BEGIN:VEVENT DTSTART;TZID=Europe/London:20200411T103000 DTEND;TZID=Europe/London:20200411T123000 DTSTAMP:20260517T143013 CREATED:20200302T232827Z LAST-MODIFIED:20200303T124108Z UID:5359-1586601000-1586608200@campleline.org.uk SUMMARY:Drop-in session Paper weaving for children DESCRIPTION:Sat 11 April | 10.30am–12.30pm\nPaper weaving for children\nFree drop-in session for ages 4–8 years \nCome and try some creative paper weaving inspired by our current exhibition of weavings during the Easter holidays. You can create your own colourful weavings using a variety of different papers and recycled materials. URL:https://campleline.org.uk/event/drop-in-session-paper-weaving-for-children/ LOCATION:Cample Line\, Thornhill\, DG3 4XX\, United Kingdom END:VEVENT BEGIN:VEVENT DTSTART;TZID=Europe/London:20200411T100000 DTEND;TZID=Europe/London:20200411T110000 DTSTAMP:20260517T143013 CREATED:20200302T232559Z LAST-MODIFIED:20200315T093413Z UID:5355-1586599200-1586602800@campleline.org.uk SUMMARY:Read With Us! Cynthia Harnett The Wool-pack DESCRIPTION:Read with us!\nEvery Saturday (except Sat 18 April)\, 10-11am\nRecommended for children ages 8-10 years\nJoin us for a read of The Wool-pack by Cynthia Harnett (Methuen\, 1951) \nSet in 1493\, The Wool Pack tells the story of 12-year-old Nicholas Fetterlock\, son of a Cotswold wool merchant\, who gets caught up in the intrigues of the wool trade\, that include smuggling and efforts to ruin his father’s business. \nA classic children’s novel\, it contains some wonderful illustrations as well as a fair amount of historical detail that it doesn’t wear too heavily. Author Cynthia Harnett won the Carnegie Medal for this book. URL:https://campleline.org.uk/event/read-with-us-cynthia-harnett-the-wool-pack/ LOCATION:Cample Line\, Thornhill\, DG3 4XX\, United Kingdom END:VEVENT BEGIN:VEVENT DTSTART;TZID=Europe/London:20200404T103000 DTEND;TZID=Europe/London:20200404T160000 DTSTAMP:20260517T143013 CREATED:20200302T233036Z LAST-MODIFIED:20200315T093653Z UID:5287-1585996200-1586016000@campleline.org.uk SUMMARY:Postponed - Workshop Weaving with Katie Russell DESCRIPTION:This workshop is now postponed. We will reschedule and announce a new date in due course. We will be in touch with those who have already booked tickets. Thank you for your understanding! \nSat 4 April | 10.30am–4pm\nWorkshop\nWeaving workshop with Katie Russell\n£8 | Booking essential via Eventbrite or contact us directly | 6 places available \nTapestry weaver Katie Russell will lead a practical weaving workshop\, enabling participants to draw on the natural environment as well as Standard Incomparable\, a temporary collection of 65 weavings produced by weavers in 16 countries and brought together by artist Helen Mirra. Katie will discuss her own work and will demonstrate a number of techniques during the day. She will lead a relaxed workshop in which participants can explore processes and ideas. \nYarns and frames are provided. If participants wish to bring their own frames or materials they can do so. Suitable for all abilities. URL:https://campleline.org.uk/event/workshop-weaving-with-katie-russell/ LOCATION:Cample Line\, Thornhill\, DG3 4XX\, United Kingdom END:VEVENT BEGIN:VEVENT DTSTART;TZID=Europe/London:20200328T183000 DTEND;TZID=Europe/London:20200328T183000 DTSTAMP:20260517T143013 CREATED:20200302T233339Z LAST-MODIFIED:20200315T093713Z UID:5284-1585420200-1585420200@campleline.org.uk SUMMARY:Postponed - Screening The Lunchbox (2013) DESCRIPTION:This screening is now postponed. We will reschedule and announce a new screening date in due course. We will be in touch with those who have already booked tickets. Thank you for your understanding! \nSat 28 March | 6.30pm\nScreening\nRitesh Batra The Lunchbox (2013)\nIndia\, 1hr 44mins\, Hindi and English\, English subtitles\, cert PG\n£3 (£2) | Booking advised via Eventbrite \nThe first of two films selected by Helen Mirra to coincide with Acts for placing woollen and linen at CAMPLE LINE this spring. A rare mix-up in Mumbai’s famously efficient ‘dabbawala’ lunchbox delivery system connects Saajan\, a lonely widower close to retirement\, and Ila\, an unhappy housewife who prepares elaborate meals intended to win back her estranged husband’s affection. Saajan and Ila build an emotional connection through food and then notes exchanged in the daily lunchbox. URL:https://campleline.org.uk/event/screening-the-lunchbox-2013/ LOCATION:Cample Line\, Thornhill\, DG3 4XX\, United Kingdom END:VEVENT BEGIN:VEVENT DTSTART;TZID=Europe/London:20191206T190000 DTEND;TZID=Europe/London:20191206T210000 DTSTAMP:20260517T143013 CREATED:20191003T213849Z LAST-MODIFIED:20191003T213849Z UID:4679-1575658800-1575666000@campleline.org.uk SUMMARY:Little Miss Sunshine Screening DESCRIPTION:  \n(2006) Jonathan Dayton and Valerie Faris\, 1hr 41mins\, cert 15 \nLittle Miss Sunshine offers a humorous and at times bittersweet reflection on the expansive capacity of the family unit\, and on familial bonds and the tensions these can be put under when directed towards a pursuit or purpose. At what point does a family begin to function like a crew\, and what about those who wish only to be passengers? \nRemarkable performances from Abigail Breslin\, Paul Dano\, Steve Carrell and Alan Arkin elevate this story of a family of individuals who ultimately restore common purpose and pride to themselves. \n  \nYou can book directly | info@campleline.org.uk | 01848 331 000 | or via Eventbrite URL:https://campleline.org.uk/event/little-miss-sunshine-screening/ LOCATION:Cample Line\, Thornhill\, DG3 4XX\, United Kingdom CATEGORIES:autumn programme END:VEVENT BEGIN:VEVENT DTSTART;TZID=Europe/London:20191130T153000 DTEND;TZID=Europe/London:20191130T163000 DTSTAMP:20260517T143013 CREATED:20191003T213420Z LAST-MODIFIED:20191126T135730Z UID:4676-1575127800-1575131400@campleline.org.uk SUMMARY:Rhona Warwick Paterson Reading and Making DESCRIPTION:  \nFree | Booking advised \nRhona Warwick Paterson will read Elizabeth Bishop’s poem The Moose\, published in 1976\, in dialogue with recordings of Bishop herself reading the poem and discussing her daily routine. The audience will be invited to make small clay forms with her as the reading progresses. \nThe title of CAMPLE LINE’s autumn exhibition From narrow provinces is taken from the poem’s first line. \nWarwick Paterson has said: ‘The clay forms I make are a result of writers block; my frustration in finding the right word is worked out through clay\, sometimes thrown in desperation\, sometimes coaxed out slowly. I listen to PennSound and put on a reading\, hoping the combination between hearing words and working the clay will help. Often it does and I dedicate whatever is made to the poet I’ve listened to. [This] is the first public performance of this very private activity.’ \nRhona Warwick Paterson studied at The Glasgow School of Art where writing emerged as her practice\, particularly in response to sculpture. She has since been commissioned by many established artists to write poems in dialogue with their own creative process and practice. These include: Edmund de Waal\, David Ward\, Clare Woods\, Tessa Lynch and Corin Sworn. She won the Scottish Book Trust award for Poetry in 2018 and is currently working on her first collection. \nYou can book directly | info@campleline.org.uk | 01848 331 000 | or via Eventbrite URL:https://campleline.org.uk/event/rhona-warwick-paterson-reading-and-making/ LOCATION:Cample Line\, Thornhill\, DG3 4XX\, United Kingdom CATEGORIES:autumn programme END:VEVENT BEGIN:VEVENT DTSTART;TZID=Europe/London:20191123T180000 DTEND;TZID=Europe/London:20191123T203000 DTSTAMP:20260517T143013 CREATED:20191003T212711Z LAST-MODIFIED:20191120T204908Z UID:4672-1574532000-1574541000@campleline.org.uk SUMMARY:Chantal Akerman Screening and Reading DESCRIPTION:  \nChantal Akerman\, No Home Movie\n(2015) Belgium\, 1hr 55mins\, French\, English subtitles\, cert PG\n£5 (£3) | Booking advised \nWith a reading from Akerman’s My Mother Laughs (Silver Press\, 2019) \nNo Home Movie\, Akerman’s final film\, is a poignant documentary study of her elderly mother\, Nelly Akerman\, a Holocaust survivor born in Poland. The film features conversations between them\, in person or over Skype\, often concerning her mother’s declining health and her wartime experiences\, with long static shots of her mother pottering from room to room in her Brussels apartment. In My Mother Laughs\, a literary counterpart to the film (first published in 2013)\, Akerman writes about her mother and of her deteriorating physical state\, but also of her own life and apprehension for a future without her mother’s presence. Written in the Brussels apartment\, this ‘interior notebook’ shares deeply personal thoughts with uncompromising honesty. In different ways\, through both word and image\, Akerman presents us with a story of loss and a version of the ‘simplest and most complicated love story of all: that between a mother and a daughter.’ \nTo introduce the film\, JoAnne McKay will read excerpts from My Mother Laughs\, and include poems written about her own mother. \nJoAnne McKay has lived in Dumfriesshire for the past two decades and her work has been widely published and anthologised\, most recently in ‘If you find my mother buy her flowers’ (The Poets’ Republic Press\, 2019). Her most recent project\, ‘We Fire the Dark’\, was a series of readings at CAMPLE LINE exploring the collection of Dr Grierson’s museum in Thornhill. \nYou can book with us directly | info@campleline.org.uk | 01848 331 000 | or via Eventbrite URL:https://campleline.org.uk/event/chantal-akerman-screening-and-reading/ LOCATION:Cample Line\, Thornhill\, DG3 4XX\, United Kingdom CATEGORIES:autumn programme END:VEVENT BEGIN:VEVENT DTSTART;TZID=Europe/London:20191116T140000 DTEND;TZID=Europe/London:20191116T170000 DTSTAMP:20260517T143013 CREATED:20191003T212202Z LAST-MODIFIED:20191113T182927Z UID:4669-1573912800-1573923600@campleline.org.uk SUMMARY:Rosalind NashashibiScreening event DESCRIPTION:Free | Booking advised \nSorcha Carey\, Director of Edinburgh Art Festival\, will introduce a special screening of Rosalind Nashashibi’s latest two-part film\, commissioned by Edinburgh Art Festival and shown and presented at Scottish National Gallery of Modern Art in summer 2019\, alongside two of Nashashibi’s earlier film works – Electrical Gaza (2015) and Vivian’s Garden (2017). A rare opportunity to view Nashashibi’s recent films together\, the screening will also include readings of material by Atef Abu Saif\, Michael Hugentobler and Ursula K Le Guin. \nYou can book directly with us | info@campleline.org.uk | 01848 331 000 | or via Eventbrite URL:https://campleline.org.uk/event/rosalind-nashashibiscreening-event/ LOCATION:Cample Line\, Thornhill\, DG3 4XX\, United Kingdom CATEGORIES:autumn programme END:VEVENT BEGIN:VEVENT DTSTART;TZID=Europe/London:20191109T180000 DTEND;TZID=Europe/London:20191109T194500 DTSTAMP:20260517T143013 CREATED:20191003T211501Z LAST-MODIFIED:20191003T212746Z UID:4664-1573322400-1573328700@campleline.org.uk SUMMARY:L'Atalante Screening DESCRIPTION:  \n(1934) Jean Vigo\, France\, 89mins\,\nFrench\, English subtitles\, cert PG\n£3 (£2) | Booking advised \n85 years on from its original release\, Jean Vigo’s 1934 film L’Atalante remains as beautiful and poetic as ever. \nThe story is an apparently simple one: Three men work a barge (named L’Atalante) on the waterways of northern France: Jean\, the skipper is young and hopeful (Jean Dasté)\, le père Jules\, a tattooed veteran of the world’s oceans (Michel Simon) and a cabin boy. They stop at a small town. Jean meets a girl\, Juliette (Dita Parlo)\, and they are married\, while hardly knowing each other. It is not an easy transition for the married couple\, and the barge itself becomes a lens for a captivating exploration of relationships and bonds. \nThe film is enhanced by Maurice Jaubert’s musical score and by Boris Kaufman’s extraordinary cinematography. \nYou can book directly | info@campleline.org.uk | 01848 331 000 | or via Eventbrite URL:https://campleline.org.uk/event/latalante-br-screening/ LOCATION:Cample Line\, Thornhill\, DG3 4XX\, United Kingdom CATEGORIES:autumn programme END:VEVENT BEGIN:VEVENT DTSTART;TZID=Europe/London:20191102T100000 DTEND;TZID=Europe/London:20191102T160000 DTSTAMP:20260517T143013 CREATED:20191003T210630Z LAST-MODIFIED:20191003T211611Z UID:4660-1572688800-1572710400@campleline.org.uk SUMMARY:Linocut Workshop with Clare Melinsky DESCRIPTION:Linocut Workshop with Clare Melinsky\nWorkshop for age 16 years+\nSat 2 November\, 10am–4pm\n5 places available | £8 to cover cost of materials and refreshments \nJoin us for a linocut workshop with printmaker and leading linocut illustrator Clare Melinsky in the context of our autumn programme. You will have the opportunity to hear from Clare about some of her latest projects\, and then develop your own prints with Easycut lino\, inks and rollers\, as well as Clare’s small wooden press. \nClare Melinsky lives and works in Dumfriesshire. She has a highly regarded career as an illustrator and linocut printmaker\, building up a wide-ranging practice over more than 30 years that has seen her illustrate signature editions of all seven Harry Potter volumes (2010)\, a new Penguin edition of Shakespeare volumes\, and poetry by Julia Donaldson (2014). \nBeginners are welcome\, as well as more experienced students.\nIncludes a 30 min lunch break at 1pm. \nYou can book directly with us | info@campleline.org.uk | 01848 331 000 | or via Eventbrite URL:https://campleline.org.uk/event/linocut-workshop-with-clare-melinsky/ LOCATION:Cample Line\, Thornhill\, DG3 4XX\, United Kingdom CATEGORIES:autumn programme END:VEVENT END:VCALENDAR