Nithraid Residency 2026
Minty Donald and Nick Millar

17-26 February

Although the main outcome of their residency will coincide with Nithraid 2026,  Minty and Nick will give a work-in-progress presentation during their time at Cample. Details to follow on our What’s On page.

Alluvial Drift  Photo Credit: Callum Rice

Skin of the City. Photo credit: Ingrid Mur

We are pleased to announce a new short residency at CAMPLE LINE this February in partnership with Nithraid, initiated by EcoArt. This residency will bring together contemporary art practice and place-based exploration, creating space for artists to engage with the land, histories, and communities connected to the River Nith.

This year’s inaugural artists are Madrid-based artists Nicolas Millar and Minty Donald. Through their residency, they will build upon Nithraid’s ongoing commitment to creatively explore the River Nith catchment, responding to its ecology, flow, and cultural significance. Their work will contribute new perspectives and interpretations, enriching the dialogue between art, environment, and place.

A river is not a line on a map
Minty Donald and Nick Millar

During the residency we’ll be working with the River Nith’s catchment area and thinking about how the Nith and its tributaries are mapped and named.

We want to explore alternative approaches to mapping that don’t represent rivers and streams as lines. Rivers are not tidy, contained bodies of water. They ooze and seep, they change course, they spate, recede and dry up. We want to imagine rivers as temporal and seasonal, as dispersed and often invisible to humans, as living, sensorial, mobile, mutable things, as more-than-human.

How might we evoke or represent a river in ways that reflect its boundlessness, liveliness, and changeability? What might an alternative to images of rivers as channels of water, represented by lines on maps, look and feel like? How might these alternative representations usefully upset assumptions about the control and management of water? Might this influence how we live within watery landscapes?

We’re also interested in the evocative local names given to the Nith’s many tributaries, like cleuch, gutter, grain or sware. These names suggest specific physical features of a landscape and intimate relationships between water, terrain, and the people who give them names. Some of the names of the tributaries, like Smurn Gutter or Rae Grain, sound to us like characters, perhaps reinforcing that rivers are living things. We’re interested in exploring what it means to name a river or body of water. How does naming affect our relationships with things? Who gets to name something, and who or what doesn’t?

Minty Donald and Nick Millar
We are artists from Scotland, now living in Madrid. We mostly, but not always, work together. We see our practice as an ongoing effort to disrupt the culture of human exceptionalism that we have inherited, and the extractivist and exploitative relations it enables. In other words, our work is an attempt to live and die better as humans in a world that is much more than human. We try to pay close and critical attention to our more-than-human interactions by considering things like rivers and stones as our collaborators. We ask, how can we collaborate with water or a rock? While recognising that more-than-human ‘collaboration’ is always complex, unstable, and asymmetric. We think of our practice as modest yet significant, personal yet political, playful yet essential. Our work has taken many forms including small scale actions or ‘micro-performances’, sculptural practice, participatory and performative walks, writing, and video.

Nithraid
Nithraid is an artist-led, interdisciplinary project that seeks to foster a deeper connection between people and the river environment. Centred on the annual Nithraid boatrace the project explores the River Nith using creative journeys, research, and collaborations to gain a better understanding of the river’s ecological, cultural, and social significance.