Exhibition archive

2025

Sayan Chanda

2024

Chiara Camoni's Sister (2023) sculpture, viewed from behind. It is a human-sized sculpture made from thousands of clay beads on long strings, with two tails that sweep out behind across half of the upper exhibition space at CAMPLE LINE. The beads are mostly terracotta, with occasional strings of black or white beads.

Chiara Camoni

Claire Barclay

3 large textile works in natural tones are displayed in the corner of a white room with a window and a concrete floor. Two works are hung on the walls - the one on the left wall is about the size of a double bedsheet, and is draped and attached with strings, like an awning. The one on the right wall is about the size of a bathroom towel and is attached to wooden bars at the top and bottom edges, so that it sits forward from the wall with tassels hanging down below. The third work resembles the size of an ironing board, and made up of a long, thin rectangular piece embroidered with various colours and patterns, which is displayed horizontally on a free standing wooden frame.

Aslı Çavuşoğlu

Gabriella Boyd

2023

Jumana Emil Abboud

Rowan Mace

Amy Winstanley

Kira Freije

2022

Yelena Popova

Saoirse Amira Anis

Renee So

2021

Tonico Lemos Auad

Laura Aldridge

2020

Sara Barker

Helen Mirra

2019

Rosalind Nashashibi
From narrow provinces

David Osbaldeston
Charlie Hammond

Jacqueline Hoàng Nguyễn, installation of Black Atlas, 2016, at CAMPLE LINE. Image: Mike Bolam. Courtesy of the artist

Jacqueline Hoang Nguyen
Maeve Brennan
Laura Waddington

2018

Louise Hopkins, Bridge and Crown, 2018. © 2018 Louise Hopkins.

Louise Hopkins

Mark Lyken

Karen Cunningham, Contextural, 2018, detail. Image: Mike Bolam. Courtesy of the artist

Karen Cunningham

2017

Lorna Macintyre, SPOLIA, 2017. Photograph Mike Bolam. Courtesy of Lorna Macintyre and Mary Mary, Glasgow

Lorna Macintyre