Successive images of Mount Fuji – spanning the history of photography as well as Japanese and western art and popular culture – inspire the narrators to uncover different paths up the mountain, and to muse on the significance it holds within Japanese history, religion and philosophy.
In the words of David Campany, Ascent offers the viewer ‘a rich weave of associations that are personal, poetic, historical, scientific, anthropological, military, geological, political, literary and artistic. Ascent is a bowl for images, a vortex of images, with Mount Fuji at its centre.’